The staff of The New York Times Book Review choose the year’s top fiction and nonfiction. By The New York Times Books Staff Celebrate the literature of this festive month with with a five ...

When tropes become too common in a movie, it makes the action setpieces feel far less successful. In many moments of Armor, it’s not only predictable, but feels like action movie karaoke. There’s a ...

But then “Armor” has several core implausibilities. The main one is that somehow nobody notices, or calls the police, when their tightly scheduled route is hijacked by Rook (Stallone ...

Could it be the case that the bank manager (Joel Cohen; Cash Out) insisted they take even though it wasn’t on their manifest? It also means that Armor is something of a redemption story, as James ...

REVIEW: Sylvester Stallone has been lucky not ... especially when it requires limited effort. Armor is a generic action flick that benefits from the presence of Stallone and Jason Patric but ...

December 2, 2024 • In the Netflix series The Madness, Colman Domingo plays a CNN pundit who witnesses a brutal murder, and then finds himself on the run as he's framed for the crime. What ...

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Join former prosecutor Andy McCarthy as he delves into the legal ins and outs of the latest Washington dramas with National Review editor in chief Rich Lowry. Capital Record – your weekly ...

Our columnist picks the year’s outstanding books. By Alida Becker The year’s best speculative fiction includes a fantasy novel by Kelly Link, alien epics and promising starts to series. By ...

also referred to as traditional literature review, critiques literature and summarizes the body of a literature. Narrative review also draws conclusions about the topic and identifies gaps or ...